Ayaan, Amaan Ali Bangash collaborate with guitarist Sharon Isbin

Sharon Isbin says she feels a connect with India

A four-way conference call between us, Sharon Isbin, and Ayaan and Amaan Ali Bangash makes one thing crystal clear. The two sarod-playing brothers have unfettered respect for the Grammy-winning American guitarist, since they consider it an "honour" to be collaborating with her for an unusual concert slated for later this week. It's a word they use multiple times during the phone call. And Isbin, on her part, tells us from Kolkata that she's as enthused about the performance as anyone else.

The gig is unusual because it isn't everyday in our country that the worlds of Indian and western classical music collide on stage. Isbin is one of the world's leading lights in the latter genre. But her introduction to western classical music was wholly by accident. "We were living in Italy for a year when I was nine years old, and my older brother asked for guitar lessons. But he didn't want to study classical. He wanted to be Elvis Presley. So, I volunteered to take his place and raised my hand out of family duty," she reveals, adding that while her father was a nuclear scientist, it was her mother who ensured that she received a solid musical education.

It's a different story for the Bangash brothers, of course. It's almost as if it was preordained that they would take to the sarod, considering that their father, Ustad Amjad Ali Khan, is one of the world's most prolific practitioners of the instrument. But even though they have collaborated with many different musicians - including with Derek Trucks of the rock band Allman Brothers - this is the first time that they will be playing in India with Isbin, who they have known for years.

Ayaan and Amaan Ali Bangash

Ayaan says, "Sharon and we have had mutual admiration for each other's cultures, and I think it's really important to connect with the individual with whom you'll be performing. Also, since we have known each other for a long time, it was easier to develop the music. It's taken us around six years to compose this piece, and I'm glad that everything has fallen into place for us to perform it in India for the first time."

And Isbin adds that her affinity for Indian string instruments began when she was in college. "I loved listening to the sitar, sarod and the tabla back then, and would go to raga concerts because I found them to be meditative. I have also studied transcendental meditation, which of course originated in India, and have been practising it since my teens. That's every single day for many years. So, I have a certain spiritual attraction to the culture and the music here," she says.

Amaan, meanwhile, points out how the sarod and classical guitar have a shared commonality, in that they belong to the larger family of string instruments. Think about it. The guitar, in India, has had a profile that's associated more with jazz, rock 'n' roll and electronic music. Rarely, if ever, has the western classical guitar been heard here in this kind of a collaboration, which also features tabla player Vijay Ghate and mridangam exponent Sridhar Parthasarthy. "We have never played these pieces with a guitar before. But both are string instruments. One is played with the fingertip and the other is played with the finger nails. So, the technical approach isn't wholly different," he tells us, while Ayaan adds that playing this composition will be different for the brothers because they are sticking to a written score.

He further says, "I think everyone's music is a reflection of who they are as individuals. Their soul comes out through their music. And all of us have come out of our comfort zones here to reach a meeting point. Eventually, though, things just happen on stage, you know? You might rehearse all you want, but at the end of the day, what the piece shapes us as is something that has some kind of energy and universal blessing, and we hope to reach that final destination with dignity and grace."

ON February 21, 8 pm
AT Royal Opera House, Girgaum.
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